1990

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As we did in 1986, we typecast ourselves as the loud and brash, versus dignified and precise. Only we took a very diffferent approach.

In Tina's career, she often contracted professional photographers and artists, and in return for her contracts, they sometimes gave her great deals on their services, as was John Engstrom, the photographer who took this great shot in his studio.

Tina is wearing her business-best, and Roger is back in uniform for the U of M, starting his third stretch with the Marching Band.

The photographer was very patient in directing us (and taking direction from us at the same time), trying to get just the right expressions of wild-eyed partisanship, and only slightly amused tolerance. He did a great job. It was a real privilege to work with such a fine professional as he was.

 

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